Old Man Winter


I have lately been salivating over the gorgeous color range available from Pilot and Levenger.  I don’t like to write with plain blue or black –so boring! On the other hand, I don’t want everything I write to look like the i’s should be dotted with hearts and smiley faces.  It’s a delicate balance.  I love green ink, but it always seems too dry.  I’ve written with Waterman Brown for years, but in the last couple of months I’ve had my eyes peeled for a nice grey.  I don’t want it to be too light, but it shouldn’t be too dark, either.

I ordered a bottle of Levenger Greystoke–partly because of the color, but partly because of the name.  Is this the color you’d write with if you were shipwrecked off the coast of Africa?
In the end I loved the way the ink performed in my pen — it’s nice and wet and is very smooth.  It’s too dark, though.  Almost black.

Next I ordered a bottle of the iroshizuku fuyu-syogun by Pilot.  The only other color of that brand I had tried was a yellow-green bamboo color.  It’s nice ink, but the color was too light and too yellow.  Would the grey be the same?

In the end, the color was perfect.  Decidedly grey, but dark enough to be professional.  It feeds well in my pen and makes me very happy.

Now I’m looking for my next must-have color.  Will it ever end?!

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